Monday, 10 December 2012

Zizzi Glasgow Royal Echange, January 2013

Of the themes suggested for the project the ones which appealled the most  were that of GoMA and the Telephone exchange - the second making me think of speech, dialect and the Glasgow Patter.  This resulted in some initial ideas for ' Your Patter's like Water'; The course of the River Clyde and tributaries are plotted by phrases and words peculiar to the City that might refer literally to eating and drinking or as a form of rhyming slang or patter.

The current building was previously Borders' bookshop. Having traded on the site for almost 20 years, the bookshop was synonymous with the building and much-loved by locals. Recognising the obvious relation to dialect, patter and writing I pursued this as a new theme.  I collected together some Glasgow-associated novelists, poets, playwrights and seminal books; particularly looking for those with interesting titles and book-jackets ( and would also tie in with the green, grey, maroon and yellow palette).



Round 1 ideas


final proposals

Thursday, 15 November 2012

Wish List 2012


Pick up your copy of The List today with Wish List - seasonal gift, food and drink and event guide - featuring my recently commissioned festive patterns.

Friday, 26 October 2012

Wish List 2012

I was just recently commissioned to illustrate some festive designs for the pages of this year's Wish List. From the menu boards at the Traverse Theatre and the poster for the Neighbourhood exhibition the emphasis for this was on a mix of media and simple pattern. Keep your eyes peeled for the December publication.




Monday, 1 October 2012

NEIGHBOURHOOD Watch



 Details from the painted works to be featured in NEIGHBOURHOOD. Basement level of Urban Outfitters, Edinburgh.

I am excited at the prospect of this show. For the first time I will be showing works two distinct approaches which I do not see as being mutually exclusive. The figurative works are almost collaborative in how they demand cooperation and interaction - before making the work- and require intense observation and concentration during. The new symbolic, graphic pieces tend to come from a process of introspection and trying to access a particular atmosphere.   I can see this as a starting point from which more new bodies of work will emerge.